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![]() ![]() ![]() KeyShot 11 introduces 3D Paint, a new texture painting tool, that allows users to further customize a model’s surface finishes by directly painting or stamping textures on the surface. The entire list of features and improvements in KeyShot 11, along with information on how each feature works, is available in the KeyShot 11 What’s New Guide. More details and examples of the new capabilities in KeyShot 11 are available at /whats-new/. The following highlights the top features in KeyShot 11. We are planning consistent updates to our features and cloud capabilities throughout the KeyShot 11 release cycle to deliver value to subscription and maintenance customers.” “From 3D paint to CMF and Web Viewer, we have worked closely with key customers to develop the tools needed to extend KeyShot across the enterprise and allow designers to explore creative ideas and easily deliver assets to manufacturing and marketing. “With KeyShot 11, we continue to pursue our vision of maximizing the value of 3D pipelines across industries,” says Derek Cicero, VP of Products and Strategy at Luxion. Going forward, our customers will have even more flexibility with KeyShot, through our subscription-based capabilities and cloud visualization platform.” “For the past year we have been investing massively across the organization, from development to sales and support, while maintaining our focus on what we do best – building products that let designers across industries, in both small businesses and large corporations, easily bring their ideas to life, from still images to immersive 3D experiences. “KeyShot 11 is a milestone release for Luxion,” says Claus Thorsgaard, CEO of Luxion. KeyShot 11 introduces 3D Paint to apply color and textures like never before, new CMF capabilities to manage and organize material information, Physics Simulation to create and capture physical phenomena through KeyShot Animation, Workflow Automation with new headless scripting capabilities, the new KeyShot Web Viewer to upload and share KeyShot scenes online, and much more. KeyShot 11 is at the core of creating eye-catching experiences, taking visualization capabilities to the next level, introducing new ways to explore details, expanding how ideas are presented, and bringing balance to the art of creating 3D visuals. Model: Cki VangĪs the leading visualization tool across every industry, KeyShot is the solution to solving challenges in the project development pipeline by combining advanced visualization authoring with unparalleled ease of use. KeyShot 11 combines flexibility and advanced tools for the creation, management, and presentation of all visualization assets. Instead, the important criterion is that the information must be relevant for decisions that managers, operating in a particular environment of business including strategy, make. Since managers are making decisions only for their own organization, there is no need for the information to be comparable to similar information from other organizations. inventory: A detailed list of all of the items on hand.Ĭost accounting information is designed for managers.costing: The estimation of the cost of a process or product.raw materials: A raw material is the basic material from which a product is manufactured or made.Beginning Inventory + Purchases = Available for Sale - Ending Inventory = Cost of Good Sold.Companies most often use the weighted-average method to determine a cost for units that are basically the same. The weighted-average method of inventory costing is a means of costing ending inventory using a weighted-average unit cost. ![]() The LIFO (last-in, first-out) method of inventory costing assumes that the costs of the most recent purchases are the first costs charged to cost of goods sold when the company actually sells the goods.The FIFO (first-in, first-out) method of inventory costing assumes that the costs of the first goods purchased are those charged to cost of goods sold when the company actually sells goods.Firms find this method easy to apply when purchasing and selling large inventory items such as cars. The specific identification method of inventory costing attaches the actual cost to an identifiable unit of product. ![]()
![]() Anderson’s oeuvre often draws upon found imagery from textbooks and printed ephemera, reproducing and altering these images through digital and mechanical print processes, oil painting and collage. Despite being almost optically identical to New Century Schoolbook, the distinction between Tex Gyre School and New Century Schoolbook is telling of Anderson’s art practice-one where representation, reproduction, appropriation and authorship are key themes. Schola serves as a replacement for the standard New Century Schoolbook font. TeX Gyre Schola is based on URW Century Schoolbook L, which is a digitization of Century Schoolbook, originally designed by Morris Fuller Benton in 1919. Try a search!īryce Anderson is an Australian artist whose practice considers processes that involve image alteration across multiple disciplines where significance is embedded in the images’ adaptability.Īnderson’s website, designed by New Association, utilises TeX Gyre Schola of Donald E. These are the most common typefaces in the database, but there are many more.Haas Inserat-Grotesk / Neue Aurora VIII (49). The operability of a video surveillance system implies a lot of criteria that must simultaneously be met. In this case, the “distributed monitoring” allows you to have a number of monitoring servers in remote offices that will send the results of monitoring to the central database.ġ0-Strike Network Monitor Pro can be a great help to a company that installs and maintains video surveillance systems, or to a company that has multiple remote offices and a single IT department.īUY | CHECK PRICES How to Configure DVR/NVR and IP Camera Monitoring over Network?īig variety of CCTV systems and devices available on the market leads to the fact that there is no one universal method for monitoring them. The distributed monitoring system means that you can monitor any network equipment in remote offices from your common monitoring center. It is a distributed network monitoring system created by 10-Strike Software. We have the answer: You can use 10-Strike Network Monitor Pro. Otherwise, if something bad happens and you urgently need to view video footage from a surveillance camera, you may find out that it had stopped working a week ago! But how can you monitor such devices, set up an automatic notification in case a camera or DVR fails, and fix malfunctions in good time? Of course, the status of devices in CCTV systems should be constantly monitored. Video surveillance systems are widely used in warehouses, retail stores, hospitals, factories, and many other locations. ( Find below how to configure such the CCTV camera control screen) Why Do We Need to Monitor CCTV Systems? In that case, you need to use a distributed network monitoring software to monitor the whole CCTV system. Oftentimes, security cameras and DVR/NVR are located in remote corporate networks, behind NAT routers, and it is impossible to access them directly via the Internet. In this article, we will tell you how to use a CCTV monitoring system, and organize the device monitoring process for controlling parameters of surveillance cameras, IP cameras (indoor, outdoor, wired, and wifi), or digital video recorders (DVR or NVR) over the network using the 10-Strike Network Monitor software (or its Pro version with web UI and distributed abilities). I don’t see them or hear them when I’m so focused on the game, but I love how everybody comes out and supports us. “It felt like I was back in high school to have fans like that,” Murray said. It was 32-5 over a three-year period form 2017-20, which was the best in the MAAC before the COVID year kept arenas fanless. ![]() Rider improved to 33-5 over its last 38 games inside Alumni Gymnasium with fans. Tyree Corbett led Coppin State with 16 points. Give them credit, but then give us credit because the cut the lead to five and then we were able to get it back to double digits.” I know 20-some odd points to DePaul, but they were in that game for a long time and we told our guys they weren’t going to stop fighting. “We got to keep moving bodies, keep moving the ball and when guys are open give them the ball,” coach Kevin Baggett said. The Broncs regained control after Vaughn scored inside and then Powell and Vaughn hit 3s on the next two offensive trips to push the lead back to 10 with 2:37 left. But instead of pulling away, Coppin State ripped off the next 11 points to make it a game. Rider pulled ahead by 15 (59-44) on Sedrick Altman’s 4-point play with 12:33 remaining. He added nine rebounds, a steal and made all nine of his free throw attempts. ![]() “It feels good to have the home crowd back,” said Vaughn, who needs six points to move into 25th place on the program’s all-time scoring list. That’s what we needed.”īack in Lawrenceville after a year away, Vaughn looked like the same player Rider fans became accustomed to watching when he was twice named first team All-MAAC. He’s a leader, he’s energized and always talking on the court. It feels like I’ve been playing with him forever. “When coach told me Dimencio was coming back, I told him right away that we need him,” Murray said. Vaughn scored 23 points, including a 3-pointer with 2:37 remaining that settled nerves, and the Broncs held on for a 81-69 victory over Coppin State in the home opener on Friday night at Alumni Gymnasium. sure is happy that Dimenico Vaughn chose to come back to the Rider for his final season of college basketball Since most storks live in wetlands or near water, they usually eat fish, amphibians, small reptiles, shellfish, and insects, although some also catch small mammals like rodents and moles. In many species, storks make a new nest each year, but others may go back and use the same nest several years in a row. Maguari storks nest on the ground in reed beds, while those such as Abdim’s and lesser adjutant storks nest in cliffs and on rock pinnacles. The typical platform nests sometimes reach sizes of more than 6 feet in diameter and 3 feet deep, as seen with the larger black-necked and jabiru storks. They are most often made of sticks and grasses. Stork nests can be found in trees, on buildings, among rocks, or on the ground. So now, shoebills are in the Order Pelecaniformes within its own family, Balaenicipitidae.Ībdim’s storks are called "grasshopper birds" in parts of Africa because they feast on swarms of the insects. DNA studies revealed that they are closer related to pelicans. If the Shoebill Fits: Shoebills were considered part of the stork family until recently. The storks aren’t the only ones using them-small birds like sparrows, starlings, and wrens make their own nests in spaces between the sticks. Often, the male brings a leafy green twig as the finishing touch after the construction is over-the stork version of home decorating! Stork nests can be huge, more than 9 feet (2.7 meters) deep and 6 feet (1.8 meters) wide in some cases. Some storks dig up patches of turf and place them inside the nest. The nests are mostly made of sticks, which the male finds and brings back and the female puts in place. Hammerkop pairs continually add sticks and twigs to their unique domed nests, even when they have no chicks or eggs to care for. Many kinds of storks make a new nest each year, but others may go back and use the same nest several years in a row.Įven so, the storks always add to it, which is why some stork nests are so big. ![]() As the moisture from the urates evaporates, the underlying blood vessels are cooled.ĭepending on the stork species, nests can be found in trees, on buildings, among rocks, or on the ground. In some storks, the legs act as a radiator to aid in cooling down the stork’s body during extreme heat marabou storks deposit urates on their legs (in birds, urates are urine and feces combined). Nature has a good purpose for those long legs, of course: they allow the stork to take long strides and wade into deep water or tall grasses and reeds in search of food. The legs vary in shades of black, gray, or orange. Storks have a dignified appearance, standing graceful and tall or marching deliberately on slender legs. ![]() Some storks also use their feathers in displays, like the woolly-necked stork that has feathers to puff out around its throat like a ruffed collar. In the scavenger species, this is thought to prevent feathers from getting stuck together with blood or mud, but the bare places are also used to impress, becoming more brightly colored during breeding season. ![]() Some storks have bare patches on their head and neck. ![]() They stretch their neck out and dangle their legs behind them as they fly, making them recognizable even from far away. They fly mostly by soaring on warm air currents, with long, broad wings that only flap occasionally. Individuals of some species are slate gray, while others sport white, red, and black. They range in size from the small hammerkop, at about 2 feet tall (56 centimeters), to the looming marabou stork at nearly 5 feet in height (1.5 meters). The stately stork: Stork. The word isn’t exactly poetry in motion, but there is much to admire in these graceful birds that inhabit wetlands, grasslands, and tropical forests on every continent except Antarctica. ![]() The first and last bands of the Para EQ are used to literally define the width and shape of the overall tonal response of the patch by these steps: (it is assumed that the PEQ will be positioned after the Amp & Cab) A more definable type of boost or cut.īlocking - Just the name alone sounds rather negative and unusable, no? WRONG! :shock: IMO, this is just what we need to sculpt almost any response curve desired. bell curve), are boosted referenced to the selected db amount, as defined by the width of the Q setting. ![]() Peaking - The frequencies at or or close to the specified frequency (i.e. Most Treble & Bass amp EQs operate this way. Shelving - All frequencies at or below the specified frequency are boosted by the selected db amount. Although the user manual is rather sparse on description, there are 3 selections for the Type parameter of these 2 outer bands: The real magic for accomplishing this is found in the first (1st) and last (5th) bands of the AFX Parametric - it is here we can define the overall frequency spread (narrow or wide), as well as the specific contour (shape) of that spread, while the remaining 3 para bands are still available for whatever else we may want to alter in the remaining EQ curve. This has never been an easy thing to accomplish, but with the AFX we have been given an incredible tool to do just that - it is the AFX Para-EQ. How many times have you wanted to filter some ultra-lows or ultra-highs from a patch without losing the ‘overall personality’ or ‘punch’ of the sound? You know - remove some cumbersome low end and fizzy highs, without losing fullness or hi-end articulation. Here’s another technique I’ve been using lately to get the most out of the AFX’s Parametric EQ - Cliff’s version of the classic 5-band parametric EQ is QUITE versatile, but some aspects of it’s versatility may not be so obvious, and hence this thread. And that’s considered fast, compared to how long it took before today’s tech was available. This attention to detail is why it can take McDonald’s 6 months to change a single ingredient in a single menu item. How does McDonald’s know the precise balance of ingredients needed to achieve the ideal color and flavor? They use both an army of focus groups and wildly sophisticated technologies, including a mechanical mouth which employs up to 250 sensors to make sure their fries have the exact right mouthfeel. The end result is then dyed to achieve a totally consistent, appealing color, so the fries look the same no matter the season or batch of potatoes (and never turn brown). Only the top potatoes are chosen (yes, they’re actually made from potatoes), and these are cut to a uniform size by a super high speed water gun combined with tiny knives. The company is also obsessive about the presentation of its fries. The fries don’t taste sweet per se - but your brain detects that the sugars are there, and enjoys the harmony with the salt and fat.Īnd that’s just the beginning. This engages the third leg of the holy trinity of fat, salt and sugar. McDonald’s also adds dextrose to their fries in a perfectly controlled proportion. It’s basically a perfume for potatoes that tricks our brains into thinking they’re the OG beefy fries, despite the fact that the modern ones are cooked in cholesterol-free vegetable oil. So instead, McDonald’s has carefully engineered a scent for their fries that exactly mimics potatoes cooking in beef fat. The originals were cooked in beef tallow, which is no longer supportable from a health perspective. How do they do it? By employing enough food science, psychology and high-tech equipment to make the most devoted Molecular Gastronomist’s head spin.Įvery aspect of McDonald’s menu is carefully broken down, analyzed and optimized. The fact that their food tastes delicious (or at least delicious enough to inspire 24 billion customer visits per year) is a small miracle. The fact that McDonald’s pulls this off at all is remarkable. Oh, and the end result needs to be dirt cheap, rivaling the lowest cost meals a customer could cook at home. ![]() To top it all off, your raw ingredients for all this come from a wildly diverse set of suppliers, including as many as 400,000 individual farms. They also need to be cooked fast by people with limited experience, going from storage (often frozen) to a customer in a matter of minutes. ![]() And once they get there, they need to taste absolutely consistent–whether they were eaten at your flagship store in Times Square, or a truckstop restaurant attached to a gas station along Interstate 5 at 2am. They need to be delivered through a serpentine supply chain to over 13,000 locations. You’ll need about 6.5 million of these per day. You need to create burgers and fries that will appeal to nearly every member of a 300 million+ person nation (I’m ignoring McDonald’s brisk international business for now). When it comes to science, though, Molecular Gastronomy has nothing on McDonald’s. You can now get a sous vide egg bite at Starbucks, and scientific ingredients like xanthan gum are making their way into the toolkits of many high-end chefs, and even enlightened home cooks. The movement is epitomized by Nathan Myhrvold’s masterwork Modernist Cuisine, a tome that clocks in at 2,438 pages, cost untold millions, and took a staff of 36 to produce.īut its tenets have trickled down to restaurants everywhere. ![]() In are centrifuges, liquid-nitrogen-powered flash freezers, and rotor-stator homogenizers. The kitchen of a Molecular Gastronomy restaurant looks more like a lab than a space for making food. The movement seeks to break down foods and flavor into their constituent molecular parts, and reassemble/explore them in new and innovative ways. There’s a big trend right now towards a cooking movement called Molecular Gastronomy. Why do I love McDonald’s? Here’s a few reasons–and some reasons foodies shouldn’t turn up their noses at the iconic Golden Arches. When I read Fast Food Nation, Eric Schlosser’s scathing expose about the fast food industry, it made me hungry. Supersize Me left me unfazed - the burgers frankly looked a lot better to me than the vegan fare at the end. I’m fully willing to drop $75 on a really good duck breast.īut (and this really shouldn’t have to be a “but”), I also love, love, love McDonald’s. I spend an ungodly portion of my income at Whole Foods. I’m an avid follower of Thomas Keller, and have visited every branch of his fantastic Bouchon bistro, from Napa to Vegas to New York. I’ve eaten at some of the world’s best restaurants–from the three-Michelin-started pastoral splendor of Meadowood, to the cozy rooms of Alice Waters’ iconic Chez Panisse, to restaurants owned by Iron Chefs and cultural legends like Ayesha Curry. You will need to install the Ubisoft Connect for PC application in order to run this content. All Rights Reserved.Īutomatically added to your Ubisoft Connect for PC library for download. Monopoly Plus brings the world’s favorite family gaming brand to a new level with the original 2D Monopoly board as well as colorful and lively animated 3D version that evolves as you progress. Games software © 2017 Ubisoft Entertainment. Ubisoft and the Ubisoft logo are trademarks of Ubisoft Entertainment in the U.S. ![]() Licensed by Hasbro to Ubisoft Entertainment. MONOPOLY name and character, as well as each of the distinctive elements of board and playing pieces are trademarks of Hasbro for its property trading game and game equipment and are used with permission © 2017 Hasbro. The MONOPOLY name and logo, the distinctive design of the game board, the four corner squares, the MR. Play the famous Speed Die mode to spice up your game or select from a catalogue of 6 house rules chosen by Monopoly community members from around the world! A real living board A full 3D city at the center of the board lives and evolves as you play. You can change the rules and adapt them to your playing style. Monopoly Plus Standard Edition - PC (Digital) Online interactivity A real living board A full 3D city at the center of the board lives and evolves as you play. Feel that you own something special and admire your empire grow right in front of your eyes! ![]() Its friendly inhabitants will interact with your progression throughout the game and celebrate your achievements, bringing a new dimension to your experience. Collect resources, buy and upgrade properties. Rediscover MONOPOLY with shorter rounds while you race other players across the chaotic streets of Monopoly City. ![]() Get ready for the ultimate MONOPOLY experience Play the classic game and watch the board come alive. How can I find the best prices for Monopoly Plus CD keys Release date. You own a miniature world where each neighborhood has its own unique identity and characteristics. Includes both MONOPOLY Plus and MONOPOLY PLUS + MONOPOLY Madness. A full 3D city at the center of the board lives and evolves as you play. |
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