![]() Brod)ĥ Lieder nach Gedichten von Stefan George, Op.4ĭer Sprung über den Schatten, Op.17 (v.s.)Ħ Lieder nach Gedichten von Georg Trakl, Op.14Ĥ Indiscretions for String Quartet, Op.20 (fs)Ĥ Indiscretions for String Quartet, Op.20 (pts)Ģ Lieder nach Gedichten von Rainer Maria Rilke, Op.8Ĥ Lieder für Sopran und Kammerorchester, Op.13ģ Lieder für Sopran, Klarinette und Gitarre, Op.The 10.0 version is UE Music Library, the server software which is used for UE Smart Radio devices. Piano Sonata No.14, Op.27 No.2 (Schenker ed.) Piano Sonata No.31, Op.110 (Schenker edition)Ħ Songs after Poems by Maeterlinck, Op.13Įine florentinische Tragödie, Op.16 (vocal score)īallade, Op.34 (Transcription of Schubert's Erlkönig, ed.Wöss) Piano Sonata No.28, Op.101 (Schenker edition) Sextet in E minor for piano and strings, Op.46 (sc&pts) String Quartet No.1 in D minor, Op.22 (parts) Piano Sonata No.30, Op.109 (Schenker edition) Quartett über ein Schwedisches Volkslied, Op.33 (score)ģ Pieces, Op.11 (no.2 elaborated by Busoni)Ħ Orchester-Lieder, Op.8 (vocal score by Anton Webern) Piano Quintet in E-flat major (score & parts) Symphonische Phantasie und Fuge für Orgelĭance Intermezzo, Op.45 No.2 (piano arr.)Ĭoncert Paraphrases on J. UE's plate numbers coincide with the Edition number as a general rule. ![]() ![]() Combined Catalog of Universal Edition and Jos.Philharmonia Partituren (See: Philharmonia Partituren).On July 1, 2008, IMSLP-Petrucci Music Library re-opened to the general public. 2007 through June 2008) undergoing a reorganization in the process. In October 2007, Universal's attorney sent a Cease and Desist letter to IMSLP, in an attempt to force IMSLP to apply Austrian copyright laws to users worldwide. Since 1914, the company headquarters has been in the Musikvereinsgebäude (also home of the Gesellschaft für Musikfreunde and the Vienna Philharmonic) with branch offices in London, New York, Mainz, Melbourne, Milan, Tokyo, and Zurich. catalog in the post-war period include Bennett, Berio, Birtwistle, Boulez, Dallapiccola, Einem, Feldman, Halffter, Ligeti, Pärt, Stockhausen, and Takemitsu, among others. Leuckart, Ricordi, and other important publishers.Īfter a long disruption initiated by the Nazi takeover of Austria (1938), which saw the dismissal of director Hugo Winter (who became director after Hertzka's death in 1932) and Alfred Kalmus, the firm gradually regained its prominence in the promotion of contemporary music with the restoration of the original shareholders (1952), which continues to the present day. Distribution and joint-publication contracts were negotiated with Fürstner, Bote & Bock, Breitkopf & Härtel, F.E.C. Universal's distribution in other countries was expanded greatly when Alfred A. 8 - published just in time for the work's premiere in September 1910. was Josef von Wöss' vocal score for Mahler's Symphony No. While the initial issues of new works consisted of joint publications with other publishers like Roszavolgyi (Bartok), Harmonie Verlag (Delius) and Ricordi (Casella), the very first work issued solely by U.E. Some of the first contemporary composers of the period who joined the U.E. Gutmann (1920), Hofmeister (1921), Josef Blaha (1924) and Wiener Philharmonischer Verlag (1925).Ĭommencing with the directorship of Emil Hertzka (1869-1932) and general editorship of Josef von Wöss in 1907, the firm entered the field of publishing new works. Rapid growth continued with the purchase of publishers August Cranz (1909), Otto Maass' Söhne (1918), A.J. The next year saw the addition of titles by Max Reger, Richard Strauss, and Franz von Suppe with the acquistion of the publisher Aibl. in exchange for shares in the new company. In 1903, the Vienna publisher Ludwig Doblinger assigned its publication rights for Bruckner's works to U.E. catalog contained some 400 titles, dominated by works of Bach, Beethoven, Chopin, Haydn, Mozart, Schubert, and Schumann. The initial offerings were geared towards the Austrian domestic market for standard classical repertoire and educational music. The company was founded on Jin Vienna by a group of Austrian music retailers who sought independence of domination from the large German firms in Leipzig. 4 Typical typefaces employed (1901-ca.1950).
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